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Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho. 2 hrs Well, this just happened. Milo Manara, master artist and storyteller, came in at the last ten minutes of my Art and Women panel and handed me a special gift in appreciation for fighting censorship- an original watercolor painting of Spider-Woman. The packed auditorium went wild. Wow. I'm just speechless CHO! NERT SE prasLE THE caMERa 2G CRap! IG a stock N HEET CRP SERNG P 1RT ENTM FR MA RA what-the-fandomm: 2sunchild2: kukumomoart: chancethereaper: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: auntiewanda: brithwyr: auntiewanda: brithwyr: auntiewanda: houroftheanarchistwolf: aawb: starsapphire: is it time for frank cho and milo manara to die or what That’s basically a naked woman I’m YELLING What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that? It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot.  It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for.  I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..? And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters.  Come on, let’s not pretend this is a male exclusive thing. We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine.  What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do. This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks:  Also:  He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence. You can see her butthole for chrissakes I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers. Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity. Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs. Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock. Men want objects. Women want PEOPLE. This is the first time I have EVER seen this false equivalence articulated so well. Thank you. bro you can literally see every fold of her pussy that just isn’t how fabric works Lol body painting literally Clothes don’t suction themselves around tiddies.If that was the case I’d be wearing hoodies all year i mean there is dangerous objectification for male characters, but it’s not prevalent in written or drawn sources because that doesn’t harm the person and therefore isn’t relevant. it’s only something to bring into the conversation when you’re talking about how it affects the actors.male actors are sometimes forced to starve for days so that they can get scenes where their muscles are stood out (there’s a really good post with article links about this i’ll try to find it), but these drawings don’t affect an actual personit’s a completely different subjectand i mean for god’s sake you can’t counter the fact that someone deliberately drew her with her coochie out with some bullshit about how male characters are hyper-masculine in a glorified way
Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho.
 2 hrs
 Well, this just happened.
 Milo Manara, master artist and storyteller, came in at the last ten minutes of
 my Art and Women panel and handed me a special gift in appreciation for
 fighting censorship- an original watercolor painting of Spider-Woman. The
 packed auditorium went wild.
 Wow. I'm just speechless
 CHO!
 NERT SE
 prasLE THE
 caMERa 2G
 CRap! IG a
 stock N HEET
 CRP SERNG P
 1RT
 ENTM
 FR
 MA
 RA
what-the-fandomm:

2sunchild2:

kukumomoart:
chancethereaper:

aglassroseneverfades:

pmastamonkmonk:

schnerp:

feminism-is-radical:

auntiewanda:

brithwyr:

auntiewanda:

brithwyr:

auntiewanda:

houroftheanarchistwolf:

aawb:

starsapphire:

is it time for frank cho and milo manara to die or what

That’s basically a naked woman I’m YELLING

What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that?

It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot. 
It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for. 

I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..?

And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters. 

Come on, let’s not pretend this is a male exclusive thing.

We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine. 
What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do.
This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks: 
Also: 

He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence.


You can see her butthole for chrissakes

I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers.
Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity.
Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs.
Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock.
Men want objects. Women want PEOPLE. 

This is the first time I have EVER seen this false equivalence articulated so well. Thank you.

bro you can literally see every fold of her pussy that just isn’t how fabric works

Lol body painting literally


Clothes don’t suction themselves around tiddies.If that was the case I’d be wearing hoodies all year

i mean there is dangerous objectification for male characters, but it’s not prevalent in written or drawn sources because that doesn’t harm the person and therefore isn’t relevant. it’s only something to bring into the conversation when you’re talking about how it affects the actors.male actors are sometimes forced to starve for days so that they can get scenes where their muscles are stood out (there’s a really good post with article links about this i’ll try to find it), but these drawings don’t affect an actual personit’s a completely different subjectand i mean for god’s sake you can’t counter the fact that someone deliberately drew her with her coochie out with some bullshit about how male characters are hyper-masculine in a glorified way

what-the-fandomm: 2sunchild2: kukumomoart: chancethereaper: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: aunti...

Beard, Click, and Confidence: emotion & body language body language: emotion Shiiting,1idgeting,grinning,L1Cking 11PS anticipation rubbing hands together slack-jawed, fixed gaze, unable to move awe clapping hands, shaking with laughter amusement slapping thighs, throwing head back biting smile back furrowed/lowered brow, flushed face, pointing ander or table, clenched fist/jaw, baring teeth throbbing veins in neck, scowling glaring, eye rolling, pressed lips, sighing annoyance fidgeting, sweating, playing with jewelry quickened breath, dry mouth/swallowing anxiety biting nails, stuttering, biting lip yawning, fridgeting, doodling, tapping feet boredom or shaking leg, playing with pen/pencil/hair lifted chin, head high, puffed chest, back straight, shoulders back, deliberate movement confidence tilted head, furrowed brow, shrugging, squinting confusion lifted chin, smirk, sneer, purse lips contempt emotion & body language body language: emotion twisted lips, twisted smile, half smile, shaking head, rolling eyes cynical one shoulder shrug, playing with hair/ring necklace/earring/earlobe, scratching face/ nose/neck, shuffling, fidgeting, looking down deceptive hesitation in speech, nodding while saying no shaking head while saving ves, licking lips covering/touching mouth crossed arms, hands hidden, keeping object or person between self and percieved threat defensive winking, touching hair or clothing, eye contact, looking up through lashes, arching des1ire dilated pupils, stretching wide-eyed (shocked), narrow-eyed (suspicious) raised brows (shocked),low brow (suspicious), crinkled nose, curled lip, turning away clenched eyes, covering mouth/nose, flinch disqust frown, creased brows, crossed arms, pressed lips, narrowed eyes displeasure fidgeting, rubbing/scratching neck, wide-eyed distress plaving with iewelry, rapid-breathing, fixing sleeves, holding self, trembling blush, stuttering, stammering, unable to embarrassment make eye contact, covering face, holding self, blinking back tears, looking down or at lights rubbing eyes/temples, yawning, staring off slouching, closing eyes, moving slow fatique emotion & body language body language: emotion shrinking back, wide-eyed, hunched shoulders, flinching, shaking/trembling, holding self fear shaking head, pinching bridge of nose frustrationrubing temples, clenching hands grinding/clenching teeth shaking with sobs, staring off, trembling, shuddered breaths, gasping sobs, curling in on self, lashing out/hitting things grief smile, laugh, hum, whistle, dancing, jumping hugging, giggling, crinkled eyes happiness eye contact, open posture, smiling, looking honesty upwards tapping feet, shaking leg, taping fingers impatience twirling pen, nodding quickly, checking time sighing, looking away crossed arms, sneer, narrowed eyes, sour expression, tight 1ips jealousy hands clenched or gripping something overwhelmed wide-eyed, missing time/conversations, palms to forehead, staring off talking fast, leaning forward, nodding, raised brows, wide-eyed, eager, double handed passionate handshake smiling, nudging, teasing, poking, winking goading, giggling, laughing playful emotion & body language body language: emotion head back, parted 1ips, eyes wide or closed, flushing, quick breath/pulse, arch neck/back pleasure chin up, back straight, shoulders back, chest out, firm handshake, open/spread posture pride biting lip, pressed lips, crossed arms dragging feet, pinching bridge of nose reluctance slouched posture, holding self, hesitant, sadness quivering, crying, sobbing, shaking, tremblling tight smile, hiding hands in pockets/crossed arms, looking down/away, covering face secretiveness bury face in hands, looking down/away slumped posture, pressed lips, straight mouth, wet eyes shame eyebrows raised, mouth open, gasp, hands over mouth, freezing, stepping back/away shock dropping objects in hand (s) avoiding eye contact, looking away/down blushing, bending head, keeping distance shyness stepping away, holding self smirk, one raised eyebrow, corners of mouth twitch upwards smugnesS narrowed eyes, furrowed/creased brow, frown tight lips, pressed lips, glance sideways watchful agaze closed eyes, staring off, stroking/touching thoughtfullness neck or jewelry, pinching bridge of nose stroke face/beard, rest chin on hand theonlysaylor: A Writing Cheat Sheet: for linking actions with emotions.  As always, click for HD.
Beard, Click, and Confidence: emotion & body language
 body language:
 emotion
 Shiiting,1idgeting,grinning,L1Cking 11PS
 anticipation rubbing hands together
 slack-jawed, fixed gaze, unable to move
 awe
 clapping hands, shaking with laughter
 amusement
 slapping thighs, throwing head back
 biting smile back
 furrowed/lowered brow, flushed face, pointing
 ander
 or table, clenched fist/jaw, baring teeth
 throbbing veins in neck, scowling
 glaring, eye rolling, pressed lips, sighing
 annoyance
 fidgeting, sweating, playing with jewelry
 quickened breath, dry mouth/swallowing
 anxiety
 biting nails, stuttering, biting lip
 yawning, fridgeting, doodling, tapping feet
 boredom
 or shaking leg, playing with pen/pencil/hair
 lifted chin, head high, puffed chest, back
 straight, shoulders back, deliberate movement
 confidence
 tilted head, furrowed brow, shrugging,
 squinting
 confusion
 lifted chin, smirk, sneer, purse lips
 contempt

 emotion & body language
 body language:
 emotion
 twisted lips, twisted smile, half smile,
 shaking head, rolling eyes
 cynical
 one shoulder shrug, playing with hair/ring
 necklace/earring/earlobe, scratching face/
 nose/neck, shuffling, fidgeting, looking down
 deceptive
 hesitation in speech, nodding while saying no
 shaking head while saving ves, licking lips
 covering/touching mouth
 crossed arms, hands hidden, keeping object
 or person between self and percieved threat
 defensive
 winking, touching hair or clothing, eye
 contact, looking up through lashes, arching
 des1ire
 dilated pupils, stretching
 wide-eyed (shocked), narrow-eyed (suspicious)
 raised brows (shocked),low brow (suspicious),
 crinkled nose, curled lip, turning away
 clenched eyes, covering mouth/nose, flinch
 disqust
 frown, creased brows, crossed arms, pressed
 lips, narrowed eyes
 displeasure
 fidgeting, rubbing/scratching neck, wide-eyed
 distress
 plaving with iewelry, rapid-breathing, fixing
 sleeves, holding self, trembling
 blush, stuttering, stammering, unable to
 embarrassment make eye contact, covering face, holding self,
 blinking back tears, looking down or at lights
 rubbing eyes/temples, yawning, staring off
 slouching, closing eyes, moving slow
 fatique

 emotion & body language
 body language:
 emotion
 shrinking back, wide-eyed, hunched shoulders,
 flinching, shaking/trembling, holding self
 fear
 shaking head, pinching bridge of nose
 frustrationrubing temples, clenching hands
 grinding/clenching teeth
 shaking with sobs, staring off, trembling,
 shuddered breaths, gasping sobs, curling
 in on self, lashing out/hitting things
 grief
 smile, laugh, hum, whistle, dancing, jumping
 hugging, giggling, crinkled eyes
 happiness
 eye contact, open posture, smiling, looking
 honesty
 upwards
 tapping feet, shaking leg, taping fingers
 impatience twirling pen, nodding quickly, checking time
 sighing, looking away
 crossed arms, sneer, narrowed eyes, sour
 expression, tight 1ips
 jealousy
 hands clenched or gripping something
 overwhelmed wide-eyed, missing time/conversations, palms
 to forehead, staring off
 talking fast, leaning forward, nodding,
 raised brows, wide-eyed, eager, double handed
 passionate
 handshake
 smiling, nudging, teasing, poking, winking
 goading, giggling, laughing
 playful

 emotion & body language
 body language:
 emotion
 head back, parted 1ips, eyes wide or closed,
 flushing, quick breath/pulse, arch neck/back
 pleasure
 chin up, back straight, shoulders back, chest
 out, firm handshake, open/spread posture
 pride
 biting lip, pressed lips, crossed arms
 dragging feet, pinching bridge of nose
 reluctance
 slouched posture, holding self, hesitant,
 sadness
 quivering, crying, sobbing, shaking,
 tremblling
 tight smile, hiding hands in pockets/crossed
 arms, looking down/away, covering face
 secretiveness
 bury face in hands, looking down/away
 slumped posture, pressed lips, straight
 mouth, wet eyes
 shame
 eyebrows raised, mouth open, gasp, hands
 over mouth, freezing, stepping back/away
 shock
 dropping objects in hand (s)
 avoiding eye contact, looking away/down
 blushing, bending head, keeping distance
 shyness
 stepping away, holding self
 smirk, one raised eyebrow, corners of mouth
 twitch upwards
 smugnesS
 narrowed eyes, furrowed/creased brow, frown
 tight lips, pressed lips, glance sideways
 watchful agaze
 closed eyes, staring off, stroking/touching
 thoughtfullness neck or jewelry, pinching bridge of nose
 stroke face/beard, rest chin on hand
theonlysaylor:
A Writing Cheat Sheet: for linking actions with emotions. 
As always, click for HD.

theonlysaylor: A Writing Cheat Sheet: for linking actions with emotions.  As always, click for HD.

Tumblr, Blog, and Her: sessionzeroart: Lunchtime sketch of a Khornate Sister of Battle. Still kinda think her armor could be more Chaos-twisted but I had to do it kinda fast :)
Tumblr, Blog, and Her: sessionzeroart:

Lunchtime sketch of a Khornate Sister of Battle. Still kinda think her armor could be more Chaos-twisted but I had to do it kinda fast :)

sessionzeroart: Lunchtime sketch of a Khornate Sister of Battle. Still kinda think her armor could be more Chaos-twisted but I had to do it...

Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho. 2 hrs Well, this just happened. Milo Manara, master artist and storyteller, came in at the last ten minutes of my Art and Women panel and handed me a special gift in appreciation for fighting censorship- an original watercolor painting of Spider-Woman. The packed auditorium went wild. Wow. I'm just speechless CHO! NERT SE prasLE THE caMERa 2G CRap! IG a stock N HEET CRP SERNG P 1RT ENTM FR MA RA thewickedverkaiking: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: auntiewanda: brithwyr: auntiewanda: brithwyr: auntiewanda: houroftheanarchistwolf: aawb: starsapphire: is it time for frank cho and milo manara to die or what That’s basically a naked woman I’m YELLING What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that? It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot.  It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for.  I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..? And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters.  Come on, let’s not pretend this is a male exclusive thing. We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine.  What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do. This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks:  Also:  He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence. You can see her butthole for chrissakes I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers. Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity. Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs. Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock. Men want objects. Women want PEOPLE. This is the first time I have EVER seen this false equivalence articulated so well. Thank you. MEN WANT OBJECTS WOMEN WANT PEOPLE
Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho.
 2 hrs
 Well, this just happened.
 Milo Manara, master artist and storyteller, came in at the last ten minutes of
 my Art and Women panel and handed me a special gift in appreciation for
 fighting censorship- an original watercolor painting of Spider-Woman. The
 packed auditorium went wild.
 Wow. I'm just speechless
 CHO!
 NERT SE
 prasLE THE
 caMERa 2G
 CRap! IG a
 stock N HEET
 CRP SERNG P
 1RT
 ENTM
 FR
 MA
 RA
thewickedverkaiking:
aglassroseneverfades:

pmastamonkmonk:

schnerp:

feminism-is-radical:

auntiewanda:

brithwyr:

auntiewanda:

brithwyr:

auntiewanda:

houroftheanarchistwolf:

aawb:

starsapphire:

is it time for frank cho and milo manara to die or what

That’s basically a naked woman I’m YELLING

What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that?

It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot. 
It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for. 

I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..?

And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters. 

Come on, let’s not pretend this is a male exclusive thing.

We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine. 
What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do.
This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks: 
Also: 

He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence.


You can see her butthole for chrissakes

I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers.
Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity.
Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs.
Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock.
Men want objects. Women want PEOPLE. 

This is the first time I have EVER seen this false equivalence articulated so well. Thank you.

MEN WANT OBJECTS WOMEN WANT PEOPLE

thewickedverkaiking: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: auntiewanda: brithwyr: auntiewanda: brithwyr...