Https T
Https T

Https T

The Blue Whale
The Blue Whale

The Blue Whale

The Blue Pill
The Blue Pill

The Blue Pill

I Have
I Have

I Have

From
From

From

The
The

The

That
That

That

The Future
The Future

The Future

And
And

And

Jeff Wysaski
Jeff Wysaski

Jeff Wysaski

🔥 | Latest

The Blue: What does the blue cheese mean? by ZzSchritzZ MORE MEMES
The Blue: What does the blue cheese mean? by ZzSchritzZ
MORE MEMES

What does the blue cheese mean? by ZzSchritzZ MORE MEMES

The Blue: What does the blue cheese mean?
The Blue: What does the blue cheese mean?

What does the blue cheese mean?

The Blue: tealgeezus: Forever a fan of the black and the blue.
The Blue: tealgeezus:
Forever a fan of the black and the blue.

tealgeezus: Forever a fan of the black and the blue.

The Blue: e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene Zuko: and Iroh: Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front: What takes the cake though is the following shot sequence: When it shows Iroh it zooms in from this: To this: While with Zuko it’s the exact reverse. It zooms out from this: To this: Say what you want but man Avatar had some amazing shot composition.  Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me. In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius. It just makes the parallels between Zuko and Aang so much more powerful in retrospect. They weren’t on parallel paths just because. They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage. And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights. I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story. And the twin blades? Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate. The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS. It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang? In conclusion: I am not ok and will never be ok. Thanks Avatar.
The Blue: e-e-e-s:
dudeinpyjamas:


anadiableau:
Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will
I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this
Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene
Zuko:
and Iroh:
Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front:

What takes the cake though is the following shot sequence:
When it shows Iroh it zooms in from this:
To this:
While with Zuko it’s the exact reverse. It zooms out from this:
To this:
Say what you want but man Avatar had some amazing shot composition. 

Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me.



In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius.  It just makes the parallels between Zuko and Aang so much more powerful in retrospect.  They weren’t on parallel paths just because.  They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage.  And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights.  I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story.  
And the twin blades?  Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate.  The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS.  It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang?
In conclusion: I am not ok and will never be ok.  Thanks Avatar.

e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin...

The Blue: feedmecookiesnow: not-the-blue: @fandomforoz art for @letsallsleepoverwork, who came up with the absolutely adorable idea of the hawkeyes braiding Bucky’s hair and painting his nails! thank you!!  I thought this was cute so I wrote a story for it. ** Practice on Me New York in August, Bucky thinks, is a special kind of hell. He’s laying on the floor of his apartment with the shades all drawn and a fan blasting directly on him. He’s wearing nothing but his boxers. His entire body is pressed to the cool hardwood of the floor. There’s a cold washcloth over his forehead. An iced water sitting next to him. And yet none of it is making a dent in the heat. It’s thick. It’s awful. It’s like breathing soup. “Definitely hell,” he says to the dark room. “One-hundred percent, Grade A, whole wheat hell.” His phone rings. Bucky cracks an eye open, then gropes around on the floor for it until he can stab at it. “What?” Clint’s voice echoes through the speaker. “Oooh, you sound angry. What’s wrong?” “I’m hot,” Bucky says. “My air conditioning is broke, and the guy can’t fix it until Friday.” “Oh god.” Clint sounds horrified. “That’s the worst thing I’ve heard today.” He pauses, and then says, “Well, second worst. My favorite taco guy was out of the spicy guacamole. I had to settle for regular.” “It must be hard being you,” Bucky says dryly, and Clint laughs. “Anyway. What do you want?” “I was going to ask if I could come over,” Clint says. “But I think now it would be better if you came to my place instead.” Keep reading
The Blue: feedmecookiesnow:
not-the-blue:
@fandomforoz art for @letsallsleepoverwork, who came up with the absolutely adorable idea of the hawkeyes braiding Bucky’s hair and painting his nails! thank you!! 
I thought this was cute so I wrote a story for it. 
**
Practice on Me
New York in August, Bucky thinks, is a special kind of hell. 
He’s laying on the floor of his apartment with the shades all drawn 
and a fan blasting directly on him. He’s wearing nothing but his boxers.
 His entire body is pressed to the cool hardwood of the floor. There’s a
 cold washcloth over his forehead. An iced water sitting next to him. 
And yet none of it is making a dent in the heat. It’s thick. It’s awful. It’s like breathing soup.
“Definitely hell,” he says to the dark room. “One-hundred percent, Grade A, whole wheat hell.”
His phone rings. Bucky cracks an eye open, then gropes around on the floor for it until he can stab at it. “What?”
Clint’s voice echoes through the speaker. “Oooh, you sound angry. What’s wrong?”
“I’m hot,” Bucky says. “My air conditioning is broke, and the guy can’t fix it until Friday.”
“Oh god.” Clint sounds horrified. “That’s the worst thing I’ve heard 
today.” He pauses, and then says, “Well, second worst. My favorite taco 
guy was out of the spicy guacamole. I had to settle for regular.”
“It must be hard being you,” Bucky says dryly, and Clint laughs. “Anyway. What do you want?”
“I was going to ask if I could come over,” Clint says. “But I think now it would be better if you came to my place instead.” Keep reading

feedmecookiesnow: not-the-blue: @fandomforoz art for @letsallsleepoverwork, who came up with the absolutely adorable idea of the hawkeyes...

The Blue: I’d rather have the BLUE blade slice me in half!!
The Blue: I’d rather have the BLUE blade slice me in half!!

I’d rather have the BLUE blade slice me in half!!

The Blue: The blue ones are the priority
The Blue: The blue ones are the priority

The blue ones are the priority

The Blue: epicjohndoe: The Blue Eraser Myth
The Blue: epicjohndoe:

The Blue Eraser Myth

epicjohndoe: The Blue Eraser Myth

The Blue: huariqueje:  The Blue Soup Tureen   -    Jean Jansem French-Armenian, 1920-2013 Lithograph, 20x26 in.
The Blue: huariqueje:
 The Blue Soup Tureen   -    Jean Jansem
French-Armenian, 1920-2013
Lithograph,

 20x26 in.

huariqueje:  The Blue Soup Tureen   -    Jean Jansem French-Armenian, 1920-2013 Lithograph, 20x26 in.

The Blue: phfantasists: The Blue Hour by Youssef Nabil – KING KONG GARÇON #3
The Blue: phfantasists:
The Blue Hour by Youssef Nabil – KING KONG GARÇON #3

phfantasists: The Blue Hour by Youssef Nabil – KING KONG GARÇON #3

The Blue: im ten thousand pounds of BABEY ham-of-war: inthegrimdarkness: ask-the-crimson-king: smolcatachan: Huh. That would make him about 5 tons. 2,000lbs = 1 ton. But the Blue Whale has been cited to weigh up to 200 tons. Which this meme makes Magnus featherweight in comparison to the mighty Blue Whale. Putting into pounds, the Blue Whale can weigh 40,000lbs. Now the Blue Whale can vary from 82ft to 105ft which sounded like it’d be comparable to Magnus. So I went and did a size comparison based on this picture between a Space Marine at 8ft and Magnus at 82ft and the comparison matched up to the picture.  So basically what I’m saying is that this meme grossly underestimates the majestic glory of all that is Magnus and must be corrected promptly…Please :D [In this picture, that holds up to a degree, but it is known that Magnus’ height can vary greatly. So he could weigh 5 tons, but it could depend on his height, and I imagine the actual density of the Warp matter that makes up most of his form. In the picture of him fighting Guilliman at Luna, his height is much shorter than 82ft. If Guilliman is ~11.5ft tall, that would put Magnus at… … approximately 20ft tall, plus or minus a potential foot or two since both of them seem to be crouching. I also made a weight calculation based on BMI, though it is most likely not going to be too accurate since our big red nerd here is, as I said, also comprised of Warpstuff. If he is 20ft tall, he should weigh 1.5k-2k pounds. If he was 82ft tall, he should weigh 25k-34k pounds. So while this meme is still inaccurate with the original picture, the blue whale comparison is not exactly a good one either if these calculations are to be believed.] Magnus is also a daemon of Tzeentch and shifts his form constantly, a truly accurate number is impossible Babey is a constant tho
The Blue: im
 ten
 thousand
 pounds
 of
 BABEY
ham-of-war:
inthegrimdarkness:


ask-the-crimson-king:


smolcatachan:

Huh. That would make him about 5 tons. 2,000lbs = 1 ton. But the Blue Whale has been cited to weigh up to 200 tons. Which this meme makes Magnus featherweight in comparison to the mighty Blue Whale. Putting into pounds, the Blue Whale can weigh 40,000lbs.
Now the Blue Whale can vary from 82ft to 105ft which sounded like it’d be comparable to Magnus. So I went and did a size comparison based on this picture between a Space Marine at 8ft and Magnus at 82ft and the comparison matched up to the picture. 
So basically what I’m saying is that this meme grossly underestimates the majestic glory of all that is Magnus and must be corrected promptly…Please :D

[In this picture, that holds up to a degree, but it is known that Magnus’ height can vary greatly. So he could weigh 5 tons, but it could depend on his height, and I imagine the actual density of the Warp matter that makes up most of his form.
In the picture of him fighting Guilliman at Luna, his height is much shorter than 82ft. If Guilliman is ~11.5ft tall, that would put Magnus at…
… approximately 20ft tall, plus or minus a potential foot or two since both of them seem to be crouching.
I also made a weight calculation based on BMI, though it is most likely not going to be too accurate since our big red nerd here is, as I said, also comprised of Warpstuff. If he is 20ft tall, he should weigh 1.5k-2k pounds. If he was 82ft tall, he should weigh 25k-34k pounds. So while this meme is still inaccurate with the original picture, the blue whale comparison is not exactly a good one either if these calculations are to be believed.]


Magnus is also a daemon of Tzeentch and shifts his form constantly, a truly accurate number is impossible 


Babey is a constant tho

ham-of-war: inthegrimdarkness: ask-the-crimson-king: smolcatachan: Huh. That would make him about 5 tons. 2,000lbs = 1 ton. But the...

The Blue: Steve Silberman @stevesilbermarn Rosaries confiscated from immigrants at the Arizona/Mexico border. [via @MikeOLoughlin] newyorker.com/ culture/photo-, く @claríssalule Remember the piles of wedding rings taken from holocaust victims and how we see it now and wonder how we ever let the violation of human rights get so far well yeah cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but— The first one in the left corner: It’s a first communion rosary, and it’s not cheap. The black one in the first line: That’s a widow rosary and it’s old. The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s. In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings). The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. Those are mother’s rosaries. Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization. Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration. Just in case anyone reading naively believes this atrocity began on November 8 2016
The Blue: Steve Silberman
 @stevesilbermarn
 Rosaries confiscated from immigrants
 at the Arizona/Mexico border. [via
 @MikeOLoughlin] newyorker.com/
 culture/photo-,

 く @claríssalule
 Remember the piles of wedding rings
 taken from holocaust victims and how
 we see it now and wonder how we
 ever let the violation of human rights
 get so far well yeah
cryptid-sighting:
arithanas:

gaylileofigaro:
This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. 
This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but—
The first one in the left corner: It’s a first communion rosary, and it’s not cheap.
The black one in the first line: That’s a widow rosary and it’s old.
The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s.
In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings).
The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. 
Those are mother’s rosaries.
Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization.

Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration.
Just in case anyone reading naively believes this atrocity began on November 8 2016

cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They...

The Blue: Steve Silberman @stevesilbermarn Rosaries confiscated from immigrants at the Arizona/Mexico border. [via @MikeOLoughlin] newyorker.com/ culture/photo-, く @claríssalule Remember the piles of wedding rings taken from holocaust victims and how we see it now and wonder how we ever let the violation of human rights get so far well yeah cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but— The first one in the left corner: It’s a first communion rosary, and it’s not cheap. The black one in the first line: That’s a widow rosary and it’s old. The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s. In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings). The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. Those are mother’s rosaries. Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization. Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration. Just in case anyone reading naively believes this atrocity began on November 8 2016
The Blue: Steve Silberman
 @stevesilbermarn
 Rosaries confiscated from immigrants
 at the Arizona/Mexico border. [via
 @MikeOLoughlin] newyorker.com/
 culture/photo-,

 く @claríssalule
 Remember the piles of wedding rings
 taken from holocaust victims and how
 we see it now and wonder how we
 ever let the violation of human rights
 get so far well yeah
cryptid-sighting:
arithanas:

gaylileofigaro:
This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more. 
This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but—
The first one in the left corner: It’s a first communion rosary, and it’s not cheap.
The black one in the first line: That’s a widow rosary and it’s old.
The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s.
In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different.  The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings).
The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more. 
Those are mother’s rosaries.
Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.It’s not a fear tactic. Call it like by its name.It’s dehumanization.

Just want to remind everyone that the DHS janitor who saved these rosaries and photographed them started his project in the latter years of the Bush administration and finished during the latter days of the Obama administration.
Just in case anyone reading naively believes this atrocity began on November 8 2016

cryptid-sighting: arithanas: gaylileofigaro: This is worse. Looking at these you can tell they have no significant monetary value. They...