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Butt, Phone, and Tumblr: PLEASE HELP FUND MY also and TOP SURGERY depression treatment BUST 20 W/ COLOUR $35 BUST PAINTING K10 HIPS UP A $30 WCOLOUR $50 10% OFf OF THE 2ND CHARACTER hohnoni: Please Help Fund my Top Surgery + Depression Treatment hey there! For the past 6 months, I’ve been working my butt off to save up for top surgery. In fact, the show I animated and storyboarded is now up on sbs on demand (Monsters of Many Worlds), and another show I animated on is now being released on youtube (Goo Jit Zu episode 2+3).  During this time, I have been struggling with my depression and constantly juggling 2 jobs at once. To be frank, suicidal ideation has frequently been on my mind due to the stress of this work and experiencing rather extreme top dysphoria. That said, I did the calculations and worked out I had enough to get it done on november 1st. Unfortunately, this didn’t take into account the fact that my gp + therapist is now reccommending I seek medicated psychiatric treatment for my depression, and my mum no longer being able to pay for my phone bills. There’s more to this story, which you can find on my go fund me here:https://www.gofundme.com/f/bav2qh-coreys-top-surgery?rcid=r01-156868223675-f7be2e051ea14d79&pc=ot_co_campmgmt_w That said, I’m opening commissions again to help make sure I get properly stabilized before the surgery. You’re more than welcome to donate if you have a dollar or two available, but if not, commissioning me is a fantastic way to help!  All Payments will be through PayPal, all of the prices above are in AUD.  Feel free to email me at hohnoni@gmail.com, or simply DM me, if you’re interested or have any questions!
Butt, Phone, and Tumblr: PLEASE
 HELP
 FUND MY
 also
 and
 TOP
 SURGERY depression
 treatment

 BUST
 20
 W/ COLOUR
 $35

 BUST
 PAINTING
 K10

 HIPS UP A
 $30
 WCOLOUR
 $50

 10% OFf OF
 THE 2ND
 CHARACTER
hohnoni:
Please Help Fund my Top Surgery + Depression Treatment
hey there!
For the past 6 months, I’ve been working my butt off to save up for top surgery. In fact, the show I animated and storyboarded is now up on sbs on demand (Monsters of Many Worlds), and another show I animated on is now being released on youtube (Goo Jit Zu episode 2+3). 
During this time, I have been struggling with my depression and constantly juggling 2 jobs at once. To be frank, suicidal ideation has frequently been on my mind due to the stress of this work and experiencing rather extreme top dysphoria.
That said, I did the calculations and worked out I had enough to get it done on november 1st. Unfortunately, this didn’t take into account the fact that my gp + therapist is now reccommending I seek medicated psychiatric treatment for my depression, and my mum no longer being able to pay for my phone bills.
There’s more to this story, which you can find on my go fund me here:https://www.gofundme.com/f/bav2qh-coreys-top-surgery?rcid=r01-156868223675-f7be2e051ea14d79&pc=ot_co_campmgmt_w
That said, I’m opening commissions again to help make sure I get properly stabilized before the surgery. You’re more than welcome to donate if you have a dollar or two available, but if not, commissioning me is a fantastic way to help! 
All Payments will be through PayPal, all of the prices above are in AUD. 
Feel free to email me at hohnoni@gmail.com, or simply DM me, if you’re interested or have any questions!

hohnoni: Please Help Fund my Top Surgery + Depression Treatment hey there! For the past 6 months, I’ve been working my butt off to save up f...

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
God, Monster, and Movies: INTERNATIONAL
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feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not...

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
God, Monster, and Movies: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
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 OM
feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...

Beautiful, Cats, and Crying: northeastartist: cryoverkiltmilk: kindaoffkilter: bemusedlybespectacled: linkislost: sighinastorm: tooiconic: lafayettelabaguette: beasti: clarenecessities: sapphic-matriarchy: system-fail-ure: karinanotcinerina: retro-geek: ultrafacts: gatochick: ultrafacts: pizzaismylifepizzaisking: majikkant: ultrafacts: Source Video of Tama Follow Ultrafacts for more facts The picture in the background of the second one Tama is boss THE TRAINS HAVE CARTOON TAMAS ON THEM Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x] For those who haven’t read articles about it, the local shrine elevated her to a god. She’s now the Eternal Stationmaster and patron god of the station. Beautiful. Now I’m crying thanks and a new cat was hired right? yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy she works very hard Everytime this crosses my dash, I reblog. It is the law. Law I’m crying at 11pm over train cats Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016).  There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention. ^Nitama majestic, and below with Yontama Yontama. a legacy okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back “Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25] As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account. Every time I see this post there’s new info and it gets better You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters.
Beautiful, Cats, and Crying: northeastartist:
cryoverkiltmilk:

kindaoffkilter:

bemusedlybespectacled:

linkislost:

sighinastorm:

tooiconic:

lafayettelabaguette:

beasti:

clarenecessities:

sapphic-matriarchy:

system-fail-ure:

karinanotcinerina:

retro-geek:

ultrafacts:

gatochick:

ultrafacts:

pizzaismylifepizzaisking:

majikkant:

ultrafacts:

Source
Video of Tama

Follow Ultrafacts for more facts

The picture in the background of the second one

Tama is boss



THE TRAINS HAVE CARTOON TAMAS ON THEM

Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]

For those who haven’t read articles about it, the local shrine elevated her to a god.  She’s now the Eternal Stationmaster and patron god of the station.


Beautiful.


Now I’m crying thanks

and a new cat was hired right?

yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy
she works very hard


Everytime this crosses my dash, I reblog. It is the law.


Law


I’m crying at 11pm over train cats

Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016).  There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.
^Nitama majestic, and below with Yontama
Yontama.


a legacy 

okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back


“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.


Every time I see this post there’s new info and it gets better


You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters.

northeastartist: cryoverkiltmilk: kindaoffkilter: bemusedlybespectacled: linkislost: sighinastorm: tooiconic: lafayettelabaguette: be...

Clothes, Fucking, and Gif: Bend thathighclassbitch: asprodente: darkvioletcloud: trilllizard666: ilyvbs: popipo12345: ilyvbs: nessa but she isn’t hypersexualized and her back makes sense  “Nintendo always gives their black female characters revealing outfits!!!!” Lenora, Pokemon Black and White Iris, Pokemon Black and White Twintelle, ARMS if anyone’s got any other examples, feel free to add on. HOW IS NOT OVERSEXUALIZED  also lenora looks like a mammy iris is the only fucking one with an okay design how about you listen to black people when they try to tell you shit huh “Lenora looks like a mammy” ….please learn what a mammy looks like before more stupid spills out of your mouth, thanks LENORA IS AN ARCHAEOLOGIST YOU STUPID FUCKING IDIOTS THAT APRON? KEEPS THE DUST OFF OF HER BLOUSE WHEN SHE’S UNCOVERING SHIT PLAY THE FUCKING GAME AND YOU’D REALIZE IT And excuse me, OP? How is this hypersexualized? It’s not even sexualized, it’s just a fucking two-piece swim suit. It’s less revealing than a bikini. Fuck off. Tumblr: girls should be able to wear whatever they want!!!! Female character: shows any skin Tumblr: “Lenora looks like a mammy” what the fucking fuck? She’s just wearing a blouse and wide leg pants and holding her hair back with a scarf. Do you have literally any clue what a mammy looks like?Literally what makes her a mammy? The fact that she’s wearing clothes that cover her up and has an apron swung around her back? So if she wears too few clothes she sexualized but if she wears too many clothes she’s a mammy? What the hell do you want? I swear y’all clutch your pearls more than old Baptist grandmothers at the slightest hint to the existence of boobs or butts or anything even the tiniest bit revealing of skin on any part of the body.And yeah it’s a good thing white girls in Pokémon never get their skin revealed everGet off Tumblr and find an actual problem.
Clothes, Fucking, and Gif: Bend
thathighclassbitch:
asprodente:


darkvioletcloud:

trilllizard666:

ilyvbs:

popipo12345:

ilyvbs:
nessa but she isn’t hypersexualized and her back makes sense 
“Nintendo always gives their black female characters revealing outfits!!!!”
Lenora, Pokemon Black and White
Iris, Pokemon Black and White
Twintelle, ARMS

if anyone’s got any other examples, feel free to add on.

HOW IS NOT OVERSEXUALIZED 
also lenora looks like a mammy iris is the only fucking one with an okay design
how about you listen to black people when they try to tell you shit huh

“Lenora looks like a mammy”
….please learn what a mammy looks like before more stupid spills out of your mouth, thanks

LENORA IS AN ARCHAEOLOGIST YOU STUPID FUCKING IDIOTS
THAT APRON? KEEPS THE DUST OFF OF HER BLOUSE WHEN SHE’S UNCOVERING SHIT
PLAY THE FUCKING GAME AND YOU’D REALIZE IT

And excuse me, OP? How is this hypersexualized? It’s not even sexualized, it’s just a fucking two-piece swim suit. It’s less revealing than a bikini. Fuck off.


Tumblr: girls should be able to wear whatever they want!!!!
Female character: shows any skin
Tumblr:


“Lenora looks like a mammy” what the fucking fuck? She’s just wearing a blouse and wide leg pants and holding her hair back with a scarf. Do you have literally any clue what a mammy looks like?Literally what makes her a mammy? The fact that she’s wearing clothes that cover her up and has an apron swung around her back? So if she wears too few clothes she sexualized but if she wears too many clothes she’s a mammy? What the hell do you want? I swear y’all clutch your pearls more than old Baptist grandmothers at the slightest hint to the existence of boobs or butts or anything even the tiniest bit revealing of skin on any part of the body.And yeah it’s a good thing white girls in Pokémon never get their skin revealed everGet off Tumblr and find an actual problem.

thathighclassbitch: asprodente: darkvioletcloud: trilllizard666: ilyvbs: popipo12345: ilyvbs: nessa but she isn’t hypersexualized and ...