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Are

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My Name

My Name

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Part

Part

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The

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When He Says
When He Says

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When He

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🔥 | Latest

He Says: feedmecookiesnow: not-the-blue: @fandomforoz art for @letsallsleepoverwork, who came up with the absolutely adorable idea of the hawkeyes braiding Bucky’s hair and painting his nails! thank you!!  I thought this was cute so I wrote a story for it. ** Practice on Me New York in August, Bucky thinks, is a special kind of hell. He’s laying on the floor of his apartment with the shades all drawn and a fan blasting directly on him. He’s wearing nothing but his boxers. His entire body is pressed to the cool hardwood of the floor. There’s a cold washcloth over his forehead. An iced water sitting next to him. And yet none of it is making a dent in the heat. It’s thick. It’s awful. It’s like breathing soup. “Definitely hell,” he says to the dark room. “One-hundred percent, Grade A, whole wheat hell.” His phone rings. Bucky cracks an eye open, then gropes around on the floor for it until he can stab at it. “What?” Clint’s voice echoes through the speaker. “Oooh, you sound angry. What’s wrong?” “I’m hot,” Bucky says. “My air conditioning is broke, and the guy can’t fix it until Friday.” “Oh god.” Clint sounds horrified. “That’s the worst thing I’ve heard today.” He pauses, and then says, “Well, second worst. My favorite taco guy was out of the spicy guacamole. I had to settle for regular.” “It must be hard being you,” Bucky says dryly, and Clint laughs. “Anyway. What do you want?” “I was going to ask if I could come over,” Clint says. “But I think now it would be better if you came to my place instead.” Keep reading
He Says: feedmecookiesnow:
not-the-blue:
@fandomforoz art for @letsallsleepoverwork, who came up with the absolutely adorable idea of the hawkeyes braiding Bucky’s hair and painting his nails! thank you!! 
I thought this was cute so I wrote a story for it. 
**
Practice on Me
New York in August, Bucky thinks, is a special kind of hell. 
He’s laying on the floor of his apartment with the shades all drawn 
and a fan blasting directly on him. He’s wearing nothing but his boxers.
 His entire body is pressed to the cool hardwood of the floor. There’s a
 cold washcloth over his forehead. An iced water sitting next to him. 
And yet none of it is making a dent in the heat. It’s thick. It’s awful. It’s like breathing soup.
“Definitely hell,” he says to the dark room. “One-hundred percent, Grade A, whole wheat hell.”
His phone rings. Bucky cracks an eye open, then gropes around on the floor for it until he can stab at it. “What?”
Clint’s voice echoes through the speaker. “Oooh, you sound angry. What’s wrong?”
“I’m hot,” Bucky says. “My air conditioning is broke, and the guy can’t fix it until Friday.”
“Oh god.” Clint sounds horrified. “That’s the worst thing I’ve heard 
today.” He pauses, and then says, “Well, second worst. My favorite taco 
guy was out of the spicy guacamole. I had to settle for regular.”
“It must be hard being you,” Bucky says dryly, and Clint laughs. “Anyway. What do you want?”
“I was going to ask if I could come over,” Clint says. “But I think now it would be better if you came to my place instead.” Keep reading

feedmecookiesnow: not-the-blue: @fandomforoz art for @letsallsleepoverwork, who came up with the absolutely adorable idea of the hawkeyes...

He Says: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
He Says: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

He Says: “I wish a motherfucker would,” he says as he leaves his house each morning
He Says: “I wish a motherfucker would,” he says as he leaves his house each morning

“I wish a motherfucker would,” he says as he leaves his house each morning

He Says: EmbraceRace Yesterday at 12:00 PM embracerace Because treating people fairly often means treating them differently. Equality Equity momo-de-avis: aloneindarknes7: calystarose: Because treating people fairly often means treating them differently. This is something that I teach my students during the first week of school and they understand it. Eight year olds can understand this and all it costs is a box of band-aids. I have each students pretend they got hurt and need a band-aid. Children love band-aids. I ask the first one where they are hurt. If he says his finger, I put the band-aid on his finger. Then I ask the second one where they are hurt. No matter what that child says, I put the band-aid on their finger exactly like the first child. I keep doing that through the whole class. No matter where they say their pretend injury is, I do the same thing I did with the first one. After they all have band-aids in the same spot, I ask if that actually helped any of them other than the first child. I say, “Well, I helped all of you the same! You all have one band-aid!” And they’ll try to get me to understand that they were hurt somewhere else. I act like I’m just now understanding it. Then I explain, “There might be moments this year where some of you get different things because you need them differently, just like you needed a band-aid in a different spot.”  If at any time any of my students ask why one student has a different assignment, or gets taken out of the class for a subject, or gets another teacher to come in and help them throughout the year, I remind my students of the band-aids they got at the start of the school year and they stop complaining. That’s why eight year olds can understand equity.  I remember reading somewhere once “we should be speaking of equity instead of equality” and that is a principle that applies here me thinks
He Says: EmbraceRace
 Yesterday at 12:00 PM
 embracerace
 Because treating people fairly often means treating
 them differently.
 Equality
 Equity
momo-de-avis:
aloneindarknes7:

calystarose:
Because treating people fairly often means treating them differently.
This is something that I teach my students during the first week of school and they understand it. Eight year olds can understand this and all it costs is a box of band-aids.
I have each students pretend they got hurt and need a band-aid. Children love band-aids. I ask the first one where they are hurt. If he says his finger, I put the band-aid on his finger. Then I ask the second one where they are hurt. No matter what that child says, I put the band-aid on their finger exactly like the first child. I keep doing that through the whole class. No matter where they say their pretend injury is, I do the same thing I did with the first one.
After they all have band-aids in the same spot, I ask if that actually helped any of them other than the first child. I say, “Well, I helped all of you the same! You all have one band-aid!” And they’ll try to get me to understand that they were hurt somewhere else. I act like I’m just now understanding it. Then I explain, “There might be moments this year where some of you get different things because you need them differently, just like you needed a band-aid in a different spot.” 
If at any time any of my students ask why one student has a different assignment, or gets taken out of the class for a subject, or gets another teacher to come in and help them throughout the year, I remind my students of the band-aids they got at the start of the school year and they stop complaining. That’s why eight year olds can understand equity. 


I remember reading somewhere once “we should be speaking of equity instead of equality” and that is a principle that applies here me thinks

momo-de-avis: aloneindarknes7: calystarose: Because treating people fairly often means treating them differently. This is something that...

He Says: jessicameats: brunhiddensmusings: katjohnadams: minusthelove: kingjaffejoffer: Executive chef at a top Thai restaurant tells Gordon Ramsay that his Pad Thai is trash [x] Lmao “what do you want to know from me?” Fuck! So no one thinks that Gordon’s being “Put in his place” or something, this is from Gordon’s show where he specifically goes to places around the world to be schooled in how they do their cuisine and un-fuck the British (Imperialist but we can’t admit that on TV, but he does hint STRONGLY at it in some episodes) way of cooking “exotic” dishes by learning from the people who do it best. That’s the world’s most successful chef putting himself in a position to learn from chefs around the world in world-class restaurants, grandmother’s houses, in a cramped make-shift kitchen on a rocking and speeding steam train, and more. He doesn’t shy away from learning from people who’ve never been in the remote vicinity of a culinary arts school or run a “professional” kitchen. And here he’s showing a chef what he thinks of as Pad Thai and if you don’t think one of the most talented chefs on earth didn’t know he was specifically setting himself up to fail to make a point to his audience, then hopefully you do now! <3  the context- he wasnt saying ‘heres my world famous pad tai for you to sample, a recipe i hold more dear then my own mother’ its closer to  ‘here, this is how i was taught to cook pad tai in liverpool by a man named charles, how far off am i?’ I also think the precise criticism is interesting. The other chef doesn’t say it’s bad. He definitely doesn’t say it’s trash. He doesn’t say it’s a bad meal. What he says is that it’s not pad thai. It’s been labelled as a specific thing and it doesn’t resemble that thing to someone from that culture.
He Says: jessicameats:

brunhiddensmusings:

katjohnadams:

minusthelove:

kingjaffejoffer:

Executive chef at a top Thai restaurant tells Gordon Ramsay that his Pad Thai is trash [x]

Lmao “what do you want to know from me?” Fuck!

So no one thinks that Gordon’s being “Put in his place” or something, this is from Gordon’s show where he specifically goes to places around the world to be schooled in how they do their cuisine and un-fuck the British (Imperialist but we can’t admit that on TV, but he does hint STRONGLY at it in some episodes) way of cooking “exotic” dishes by learning from the people who do it best.
That’s the world’s most successful chef putting himself in a position to learn from chefs around the world in world-class restaurants, grandmother’s houses, in a cramped make-shift kitchen on a rocking and speeding steam train, and more. He doesn’t shy away from learning from people who’ve never been in the remote vicinity of a culinary arts school or run a “professional” kitchen.
And here he’s showing a chef what he thinks of as Pad Thai and if you don’t think one of the most talented chefs on earth didn’t know he was specifically setting himself up to fail to make a point to his audience, then hopefully you do now! <3 

the context- he wasnt saying ‘heres my world famous pad tai for you to sample, a recipe i hold more dear then my own mother’ its closer to  ‘here, this is how i was taught to cook pad tai in liverpool by a man named charles, how far off am i?’

I also think the precise criticism is interesting. The other chef doesn’t say it’s bad. He definitely doesn’t say it’s trash. He doesn’t say it’s a bad meal. What he says is that it’s not pad thai. It’s been labelled as a specific thing and it doesn’t resemble that thing to someone from that culture.

jessicameats: brunhiddensmusings: katjohnadams: minusthelove: kingjaffejoffer: Executive chef at a top Thai restaurant tells Gordon...

He Says: cruelfeline: I’ve seen some people expressing their dislike for Hordimus Horde Prime’s design, specifically his asymmetrical eyes, and I must say, I disagree.First, I like the squicky noise they make when he blinks in that one scene.  Second, and actually important, I think that a set of asymmetrical eyes that look in multiple different directions is utterly perfect for him in terms of… well, his imperfection. I feel like that’s the whole point of the design: the perfection isn’t real.This is a character who is so obsessed with control, order, and perfection that his subordinate, Hordak, has deeply ingrained emotional issues as a result. Prime views himself as the perfect being, and what better way to indicate that this view is based on petty narcissism rather than reality than by giving him a set of creepy asymmetrical eyes? Eyes that no one would find perfect unless they were explicitly told to.Horde Prime isn’t perfect because he’s actually, truly flawless; he’s perfect because he says he’s perfect, just as Hordak is imperfect because he says he’s imperfect. Perfection, in the case of real people, is not only unobtainable, it’s essentially arbitrary. A perfect feature to me might be ugly to you, and vice versa. It’s all subjective. Portraying it as an immutable fact is a lie that Prime perpetuates in order to maintain power.
He Says: cruelfeline:

I’ve seen some people expressing their dislike for Hordimus Horde Prime’s design, specifically his asymmetrical eyes, and I must say, I disagree.First, I like the squicky noise they make when he blinks in that one scene.  Second, and actually important, I think that a set of asymmetrical eyes that look in multiple different directions is utterly perfect for him in terms of… well, his imperfection. I feel like that’s the whole point of the design: the perfection isn’t real.This is a character who is so obsessed with control, order, and perfection that his subordinate, Hordak, has deeply ingrained emotional issues as a result. Prime views himself as the perfect being, and what better way to indicate that this view is based on petty narcissism rather than reality than by giving him a set of creepy asymmetrical eyes? Eyes that no one would find perfect unless they were explicitly told to.Horde Prime isn’t perfect because he’s actually, truly flawless; he’s perfect because he says he’s perfect, just as Hordak is imperfect because he says he’s imperfect. Perfection, in the case of real people, is not only unobtainable, it’s essentially arbitrary. A perfect feature to me might be ugly to you, and vice versa. It’s all subjective. Portraying it as an immutable fact is a lie that Prime perpetuates in order to maintain power.

cruelfeline: I’ve seen some people expressing their dislike for Hordimus Horde Prime’s design, specifically his asymmetrical eyes, and I...