Justice League (2017) dir. Zack Snyder
Only a male director would put an upskirt shot into a movie and hope no one mentions it.
@angryschnauzer RIGHT? RIGHT?!
The huge difference between the way she’s shot in the Patty Jenkins film compared to this is ridiculous. It’s framed in such a way that we could be viewing her actual vagina, but the shadowing leaves a little more to the imagination. The male gaze is alive and kicking, my friends.
I could write an entire essay about this, but this is one of the most clear cut examples I can think of.
You can’t see up her skirt? And it’s to make her look taller? More intimidating? If it was an up-skirt shot you’d see her bare ass cheeks or an implication of her vag. You can’t. Not to mention, JOSS WHEDON re-shot a lot of the scenes in Justice league (and made them worse), AND was in charge of overseeing editing while Zach was mourning his daughter. So if you’re going to blame someone, don’t blame Zach for this, blame Joss Whedon. Zach’s cut if Justice League ACTUALLY respected Diana
If it was an up-skirt shot you’d see her bare ass cheeks or an implication of her vag. You can’t.
Not to mention, JOSS WHEDON re-shot a lot of the scenes in Justice league (and made them worse), AND was in charge of overseeing editing while Zach was mourning his daughter.
@fantastic-fantasy-fanfics That’s not the point I was making. Neither director has been mentioned at all in this post. There are alternative ways to make an individual look taller. The Dutch Shot has many uses. Example:The camera is tilted and keeps both actors in frame, whilst achieving the desired effect. What I’m arguing is wrong is the choice of angle that deliberately places Wonder Woman in a position to be looked at in a sexual manner. Moreover, an upskirt shot does not have to include any bare flesh at all. If anything, it’s designed to imply, rather than simply show. It’s not an issue with Zach Snyder, there was never any mention of him. But the issue still stands: the shot was clearly done to appease the male gaze and is needlessly oversexualised. It’s a standing problem in popular film and looks very obvious here when you compare it to how Patty Jenkins shot the Wonder Woman film.